See the brand new Testimonials page: Here.
Steve Espinola will service your Wurlitzer Electric Piano and restore it to full functionality. He makes house calls (and stage calls) in the greater New York City area. He has 23 years of experience playing and repairing them.
He will tune, voice, and/or replace the faulty reeds in your Wurlitzer Electric Piano. He will also regulate the action so it plays smoothly, and generally restore it to health and a dynamic, expressive musicality. (Reeds must be pre-ordered for models earlier than the 140A/145A/720A, and the complicated 1950s models will require drop-off at his studio in Brooklyn).
If you have one of these, you know they are among the most expressive and beautiful sounding keyboards on the planet. No two sound alike; they each have personalities, and positive unpredictabilities, which can’t be rendered on even the best sampling keyboards. They can play funky, rocking, sweet and tender, in equal measure.
They can also be also terribly finicky beasts. At best, they have always required skill to maintain. Add to that, the oldest of these are over 60 years of age; the newest were made 33 years ago. It is a measure of the care that went into their design, and the love that tends to be shown towards them, that they still work at all, after decades of use. That said, much like a vintage car, they tend to require some special attention to undo the entropic forces of time, wear, travel, accident, and occasional outright misuse and abuse.
The hammer and action of each key is very similar to that of an upright piano, and will slowly, over decades, go “out” from the normal weathering effects of temperature, humidity, gravity, and use. The small, steel tone-producing reeds must be tuned by repeated trial and error, by adding or filing bits of solder off the end of the reed. Eventually, over decades of use, the metal fatigues or snaps on some reeds, and these must be replaced. This can be a more time-consuming process than the tuning of individual piano strings; but the pitch of an individual Wurlitzer EP note should hold far longer, if the process is done correctly, than that of a piano string, due to differences in instrument design. There is nothing like these instruments, and they will more than return the investment you put into them.
At this point, as well, the amplifiers of even the later, best-maintained models are starting to show unwelcome noise and crossover distortion. Many calls begin with a blown fuse or two that needs replacement. Steve will do simpler electronics repairs, and talk you through options if more complex electronic work is required.
Be aware that all 1950s models (110, 111, 112, 112A, 120 and 700) have design features that makes tuning and repairing them much more time-consuming, and therefore more expensive. This can also be true of early 1960s, pre-140B models as well, to a lesser degree. They are wonderful when restored, but it is wise to understand what you are investing in before buying one.
Call Steve and get a quote on getting your Wurlitzer Electric Piano up to speed: 347-374-0428. You can also email him at SteveEspinola@gmail.com, though phone is preferred. (Leaving notes on this page, in the comments section, is not an efficient way to reach Steve, as they may get buried in spam messages.)
Steve ends up taking a lot of long-distance diagnostic phone calls and emails; in addition, he offers his unique Wurlitzer EP Model Feature Chart free of charge. PayPal gratuities for such sharing of data and diagnostics are always welcome, and support further research. It’s the circle of life! Click the golden “Thank$” button, below, if so inspired.
Please note: A Wurlitzer Electronic Piano is not to be confused with a Wurlitzer acoustic piano, A Wurlitzer player piano, A Wurlitzer organ, or a Wurlitzer coin-operated jukebox. Steve does not repair any of those.